Debbie’s Inferno
(Anne Emond)
The
journey/quest trope as an exploration of the self-induced garbage we
suffuse our heads with to keep us from getting much accomplished is
nothing new, nor is comparing our own mishigas to Dante's Circles of
Hell, but somehow in Debbie's
Inferno, Anne Emond's
new book from Retrofit/Big Planet, what is old reads fresh. There's a
child-like lure to this inner monologue that is a result of both
Emond's art and wit. She is able to turn what could easily be a thick
slog through the miasma of anxiety into something light, more
meaningful, and perhaps, closer to the truth about the damage that we
do to ourselves with our brains.
Ok,
show of hands, when was the last time you holed up in bed, binge
watching Netflix, covered in the the detritus of frozen pizzas and/or
Baked Lays? It seemed like a good idea at the time, right, a “little
me time”, a “respite from the day-to-day”? Then, as the minutes
turn to hours and the sun sets and your lethargy increases and
everything needing to be done remains undone still, you start to
wonder what has become of your life. Depression, at times, can be
self-perpetuating – we drown in the goo of our own loathing when we
“wallow too long” in it.
Inertia
is a choice and it leads to everything you always suspected about
your failures. To reach your potential, you have to stretch a little.
In
Emond's book, this process takes the form of a journey of escape. Led
by her talking cat, Debbie goes through it all, from the Land of Cold
Fish to the World of Icy Hearts to the Desert for Burnt Out Passion.
By the end of this journey through the Inferno of herself, she begins
to understand that her limitations are of her own creation, nobody is
pulling any strings. Debbie can control what she can and is buffeted
about by what she can't. Ultimately, states of being are transitory,
the responsibility is the individual's, and, really, there is never
any end to or escape from the self.
Remember
Keith Richard's question, “Hey, what I doing standing here on the
corner of West 8th
Street and 6th
Avenue?” Mick admonishes him to “Get up, get out, get into
something new.” It's easy enough advice, trite but cute, obvious
yet easily forgotten. Debbie's Inferno is ostensibly another chorus
to this song, but it's light-hearted enough to gain a foot-hold on
profundity, airy enough to reach some greater heights, and universal
enough to be embracing.
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