This review originally ran on Comics Bulletin
Title: Blade of the North
Wind
Artist/Creator: Jeong Mo Yang
Writer: V.R. Porter
Publisher: Creator’s Edge
Press
Blade of the North Wind is
a beautifully rendered, dynamic fantasy story that had me immersed in a
cinematic world where a twist in the story only pulled me out of its
environment long enough for it to twist me back into where I thought I had
been; only now the ground beneath my feet was slightly less solid. It played
with my expectations as if it were a meat cleaver wielded by a monster of great
girth and greater savagery.
The story takes place in a
land called Artharu where “a race of savage warriors known as the Kgarra
trample over the realms of man with a ferocity that no one has ever seen.” Of
course, a hero is needed to save the day - but is this all just an adventure
story to fill the mind and daydreams of a young boy tired of being “trained in
the everyday responsibilities of the village”? The story twists and then twists
again and when I got to the end, all I wanted was to read more to get my
questions answered.
But what is most impressive
about Blade of the North Wind is Jeong Mo Yang’s art. The layout of the
book is like the storyboards for an epic feature film. I gather the book is
meant to be viewed digitally, so that each panel will fill the entire screen.
This only adds to its intensity. Yang’s monotone brushwork is expressive and
evocative of Sumi-e art, full of ferocity and velocity, with sudden splashes of
blood red adding an explosive spray of violence.
In Blade of the North
Wind we have the monomyth polished anew and invigorated by masterful art. Blade
of the North Wind is a fantastic example of what small press comics can do
when talented people are given the freedom to create their stories on their own
terms.
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