This Column Originally Ran on Comics Bulletin
In
these economic times, finding inexpensive entertainment is difficult.
Thank goodness for the local comic shop and a slew of comics nobody
cares about anymore! Each week Daniel Elkin heads on out to Empire
Comics Vault
in
Sacramento, CA and grabs
a comic from the bargain bin (for 25 cents) to see what kind of bang
he can get for his solid quarter. These are those tales.
February
20, 2013 – paid 25 cents for:
THE
H.A.R.D.CORPS #13
Published
by: Valiant Comics
Written
by: David Michelinie
Pencils
by: Yvel Guichet
Inks
by: Rodney Ramos
Colors
by: David Chlystek
Letters
by: Rob Johnson with Joe Albelo
Editor:
Bob Layton
YOU
WERE A PUTZ – BUT YOU WERE OUR PUTZ!
December
of 1993 brought us NAFTA, id Software's Doom,
Wayne's
World
2, Schindler's
List,
and the album Lethal
Injection
by Ice Cube. It saw the re-election of Omar Bongo as President of
Gabon, and the death of the legendary Frank Zappa.
December
of 1993 also brought us the publication of The
H.A.R.D. Corps
#13 from Valiant Comics.
It's
an old adage that you shouldn't judge a book by its cover. That's
hard to do sometimes with comic books. My initial reaction to this
cover was something along the lines of …. mmmm … OK ... Brown.
Not
really a lot of dynamism here, nor any particular eye-catching wonk
to inspire an impulse purchase. A matter of fact, this cover is kinda
off-putting, kinda icky, kinda “what were they thinking”. I mean
comic books are, in part, a strong visual medium and, in a sea of
titles, it behooves the publishers to use the cover of their book to
make it stand out. Even though brown may possibly be the most
beautiful color in existence, I don't quite see how this cover does
that. I'm sure the marketing department at Valiant had loads of words
they used to justify this decision. But brown? Then again, it works
for Cleveland.
So
the subtitle of this book is “The
Body Farm”
– I think that should have been highlighted somewhere on the cover.
Talk about raising interest – a whole farm dedicated to raising
Bodies? I want to know a little more about that.
Anyway,
there's this white guy. From the art, I can't tell if he is missing a
leg or just running. Regardless, he is being shot at. The bullets
seem to be passing through him. At this moment, he realizes that he
has been “spotted.”
Ahem.
The
white guy is named Mr. Kim, and he is talking through his headset to
some lady sitting in front of a bunch of computer screens. She is
able to switch his “cerebral
implant”
to change the super powers that he manifests. He wants to change from
Ghost
Mode
to Airborne
so he can fly out of his current situation. Unfortunately by shifting
out of Ghost
Mode
things no longer pass through him.
Much
like when I eat too much cheese.
Now
Mr. Kim is vulnerable. It is at this moment that this huge guy pulls
an “OH YEA!” Kool-Aid Man and bursts through the wall behind
Kim.
Kim's
response?
Well
what would you do?
He
shoots him in the nuts.
Seriously.
I
guess that's why this guy's name is Rocks.
So
Rocks knocks Kim unconscious and then stomps his headset.
The
comic then quick cuts to “A
corporate jet 30,000 feet above the Mississippi River”
(which, as far as specificity, leaves much to be desired) where it
goes and does some character and plot development. Here we meet the
rest of The H.A.R.D.Corps. Apparently, team member Superstar made a
mistake by “trying
to electocute (himself) while on Inulnerability Mode, (he)
short-circuited systems (they) were using to track a very DANGEROUS
man!”
Such a thing seems to be enough, or the final straw, or something,
for him to be suspended from the Corps.
Superstar
explains that while every member of the the Corps should be equal (as
they all had been brought out of an “irreversible
coma by brain implants”
– truly the great equalizer), he is different. While they all could
get on with their lives, Superstar, by the very nature of him being a
famous actor before his accident, “can't
go anywhere, do anything, without wearing some sort of disguise!”
This fact has bunged him up so much that he says that “the
only time (he) feel(s) alive – is when (he's) cheating death!”
He even raises both arms in the air and tilts his head back when
saying this.
It's
H.A.R.D. to be Superstar. Then again, this sounds like a Bieber
problem to me, and I find it a little H.A.R.D. to commiserate. But it
is revelatory of character motivation, which is nice, and is an
attempt (however feeble) to make Superstar sympathetic, which adds to
the impact of what happens later in the book.
Apparently,
though, Superstar is not the only one with “back from the dead”
issues. Another Corps member, Charles Palmer, a.k.a Gunslinger, has
been “watching
her again”
which sounds all kinds of creepy. Especially when he claims, “It's
not a problem”.
Yikes.
Anyway,
the Corps is informed that Kim has been captured. This is really an
issue because company policy dictates that “If
a Corps member is captured, self-destruct circuits are to be
activated to melt power implants before our technology can fall into
enemy hands.”
In other words, they're gunna fry his brain. Which would suck for
Kim.
Got
to love the use of the passive voice in the company policy, by the
way.
Anyway,
the rest of the Corps go all Black
Hawk Down
and refuse to leave a man behind. They make plans to rescue Kim.
Speaking
of Kim, the comic then cuts back to him. He's a prisoner on the farm.
And it ain't Maggie's (They
say sing while you slave and I just get bored),
it's “The
Body Farm”.
This
farm is run by the Harbinger Foundation to help accelerate the
development of Harbingers (those with super powers). It does this by
finding people with the genetic disposition to produce Harbinger
babies. The foundation has wiped the minds of these people, kept them
in cryogenic suspension, and has made plans to reanimate them in a
newly built town where they will be monitored to “determine
which societal and environmental factors might play a roll in
accelerating Harbinger development.”
It's
kind of like Dallas, maybe.
After
this revelation, there is the BREET
BREET
of the Intruder Alert, signaling the arrival of the Corps!
The
H.A.R.D.Corps comes in all hard core, guns a'blazing and powers
a'waving, but when Corp member Hammerhead tries to use his Arc
Charge power, it
fizzles. Why? Because down on the Body Farm, there are other super
powered folk.
Quell
this, indeed.
The
Corps fights its way to the lab where scientists are about to
lobotomize Kim. Rock is there to serve as the hard place between the
Corp and Kim, but Superstar, all jacked up on being Invulnerable,
goes for the scissor move.
Wooo!
Sing it, Sister.
Having
rescued Kim, the Corp goes on evac mode, but they get pinned down by
a bunch of goons with guns in green. Superstar, still all revved in
Invulnerable
mode, tells them to head for the chopper as he starts putting an
enormous number of bullets into the goons.
Then
this happens.
Which
is followed by strict adherence to company policy
And......
goodbye Superstar.
The
irony of having Superstar's face blown off given his earlier
complaint is not lost on me. In a way, it kind of elevates this comic
from just a regular old whatever to something mildly special. It's
good like that.
Anyway,
the Corps return to base, throw Superstar's TV show (Hard
to Mangle – heh) on
the VCR, and raise a toast to his memory.
When
I die, would someone please say this at my wake? It is really how I
want to be remembered.
Anyway,
there's another page about the Corp being put on ice until it is
determined what went wrong, and them questioning whether they still
want to work for the organization they work for.
That's
how things go, I guess. Blow the face off a Superstar, start thinking
about contract renegotiation.
It's
the modern age.
Well,
from Brown cover to scrotal bullets to scissor sisters to exploding
faces, The
H.A.R.D.Corps #13
certainly was full of stuff, wasn't it? And you know what? For fifty
cents, I expect my entertainment to be full of stuff.
So
thank you, The H.A.R.D.Corps #13 for your stuff.... and stuff. You've
proved once again that anything is possible in the bargain bin. Even
Superstars.
See
you next month.
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