Art can be hard. It requires us to
work. It demands attention and thought and all that stuff that we
usually hate to do, especially when there are so many outlets more
than willing to spoon feed us and sponge bathe us.
We get lazy. Indolence. Idleness.
We grow flacid in the absence of art
and get to the point where it simply annoys us.
But it's like riding a bike. Those
muscles are there and they want to be used.
And thus was my workout at the CrockerMuseum.
I was more impressed with the mansion
than the collection. There was so much pretty wood.
Then I went back this weekend and found
myself literally tap-dancing in the hallways. There is art is
Sacramento. There is a lot of fantastic art in Sacramento. There is a
lot of fantastic art in Sacramento at the Crocker Museum.
And it's everywhere. The place seems to
go on and on and on.
And it's not just the recent
exhibitions either (to be honest, the Mel Ramos collection seemed
like a an Ebay page instead of a museum show – but the Red Hot and
Blown Contemporary Glass Collection was pretty jaw-dropping and
carried with it one of the more suggestive names for an exhibit I
have come across in a museum). The place is thick with aesthetic
explosions and the fine sediment of alluvial creation.
It's was such a blissful treat to
wander in out of the heat into this dream-time. Ten dollars bought me
a slough off of my slogging sensibility and inspired me to gird my
loins in creativity. It sent me dancing cheek to cheek with
possibilities and colors and forms and heroics.
Now I know that there is a place of
rejuvenation only an hour away. The Mythical land of Bimini is
approachable by automobile and provides convenient parking. I Ponce
de Leon (constantly on, the fountain of youth not Robotron).
A corrective, a curative, a
recuperative – The Crocker.
No comments:
Post a Comment